“The Kennedy Assassination - As Seen by Zapruder”
- a 5 paint on paper series

“Wood Cut” Series 
Limited edition prints on paper 

“Teeth Study”with wooden gums 

“Teeth Study”
with wooden gums 

“Dog Study”

“Dog Study”

In some land fill

In some land fill

On display at CCCP Gallery, Brooklyn - until the end of September.

On display at CCCP Gallery, Brooklyn - until the end of September.

“Ocular Extinction” Mixed Media on Canvas - 6’X4’We have lost the ability to investigate information around us. We have lost our sense of seeing for ourselves and our eyes are harvested by snappy tag lines, headlines, and the visual stimulation of font and colors. The raw truths are off in the distance.On display at The Tulum Gallery in Brooklyn until the end of August. 

“Ocular Extinction” Mixed Media on Canvas - 6’X4’
We have lost the ability to investigate information around us. We have lost our sense of seeing for ourselves and our eyes are harvested by snappy tag lines, headlines, and the visual stimulation of font and colors. The raw truths are off in the distance.

On display at The Tulum Gallery in Brooklyn until the end of August. 

“Painting Time Lapse”
Drawing energy from the room and accessing memories. Long term, short term, or sensory memories can last a life time. There is a pool of unconscious information swelling inside of us - some of it was archived there by choice, some was branded there by others, and some of it is genetics - theres a lot going on up there.
*Sounds created by upright piano guts. 

“Rust”Iron out DisneyRusting over a period of 1.5 yearsOxidation - O2 + 4 e- + 2 H2O → 4 OH-Acids - Fe → Fe2+ + 2 e−Water - 4 Fe2+ + O2 → 4 Fe3+ + 2 O2-

“Rust”
Iron out Disney
Rusting over a period of 1.5 years
Oxidation - O2 + 4 e- + 2 H2O → 4 OH-
Acids - Fe → Fe2+ + 2 e
Water - 4 Fe2+ + O2 → 4 Fe3+ + 2 O2-

“Untitled”4.5’X4.5’ mixed media on canvas. STOOPS 

“Untitled”
4.5’X4.5’ mixed media on canvas. 
STOOPS 

“The National Geographic Precursor”An 8 foot sheet to a 4’X4’ piece - painted landscape, clouds, and pylons - leveled and destroyed by a coat of progressive gesso - then a projection of a man from The National Geographic - then cut into 4 - 2’X2’ squares and combined with other pieces to create a box for storage - toted for several years - then, warn, taken apart, and hung. The process over a span of 4 years.

“The National Geographic Precursor”
An 8 foot sheet to a 4’X4’ piece - painted landscape, clouds, and pylons - leveled and destroyed by a coat of progressive gesso - then a projection of a man from The National Geographic - then cut into 4 - 2’X2’ squares and combined with other pieces to create a box for storage - toted for several years - then, warn, taken apart, and hung. The process over a span of 4 years.